[Flash 9 is required to listen to audio.]
It gets me real pissed off and it makes me want to say
It gets me real pissed off and it makes me want to say
It gets me real pissed off and it makes me want to say
He wished
He wished that he was six foot nine so he could get with Leoshi, for, though she didn’t know him, she was really fine. You see, he saw her all the time, everywhere he went, and even in his dreams he often schemed of ways to make her his, because he knew she lived phat—her boyfriend was tall, and he played ball, so how was he to compete with that?
Since, when it came to playing basketball, he was always last to be picked—and, in some cases, never picked at all—he would lean up on the wall, or sit up in the bleachers with the rest of the girls, who had come to watch their men ball. Undoubtedly, he never understood why the jocks got the fly girls, leaving him with the hood rats. He told them “Scat, skittle, skibobble” but was hit with a bottle and put in the hospital for talking that mess.
Later, he confessed it was a shame that he was living in a city the size of a box and nobody knew his name. But he was glad he came to his senses, and quickly got sick to his stomach whenever overcome by thoughts of him and her together.—Since when he asked her out she said he wasn’t her type.
He wished he was a little bit taller. He wished he was a baller.
He wished he had a girl who looked good so he could call her.
He wished he had a rabbit in a hat, with a bat—and a ‘64 Impala.
When doing portrait photography it is always important to keep in mind “the rule of thirds.” This rule, which closely relates to the golden ratio and the famed “Fibonacci Sequence,” separates rectangular photography into a 9 section grid. The points at which the grid lines intersect are the optimal spots to place key compositional elements. As you can see in the photograph above, the subject’s eyes are parallel to the top most horizontal grid line. This technique guarantees that your focus will be drawn to the eyes and nothing else.
